Footnotes
[1]The general characteristics of religious symbols are discussed by
Paul Tillich in "Theology and Symbolism," included in
a collection of essays entitled Religious Symbolism (New York:<br />
Institute for Religious & Social Studies, 1955), F.
Ernest;Johnson, ed., pp. 107-117.
[2] Annotations to Swedenborg's Wisdom of Angels concerning
;Divine Love and Divine Wisdom", The Complete Writings
of William Blake (London: Oxford University Press, 1966),
p. 60 Edited by Geoffrey Keynes.<br />
[3] From "Hope," My Flute, p.26.<br />
[4] From "Praise (11)," The English Poems of George Herbert (London: Dent, 1974), C.A.Patrides, ed., p.155.
[5] The Goal is Won, p.101.<br />
[6]Europe-Blossoms, p.387.<br />
[7] The Goal Is Won, p.218.<br />
[8]Underhill, p.202.<br />
[9]The Goal Is Won, p.241.<br />
[1O]Transcendence-Perfection, no. 53.<br />
[11]My Flute, p.23.<br />
[12]Pole-Star Promise-Light, part 1, p.5.<br />
[13] Transcendence-Perfection, no. 127.<br />
[14] From "Love (111)," Herbert, p. 192.<br />
[15]From "Songs between the soul and the bridegroom," The Poems<br />
of St. John of the Cross (London: Harvill Press, 1976),
trans. Roy<br />
Campbell, p.21.<br />
[16]Transcendence-Perfection, no. 49.<br />
[17] My Flute, p.72.<br />
[18]From the Source to the Source, p.67.<br />
[19]My Flute, p.72.<br />
[20]1bid., p.60.<br />
[21]Ibid., p.49.<br />
[22] Transcendence-Perfection, no. 716.<br />
[23]Collected Poems and Plays, p.4.<br />
[24]Ibid., p.5.<br />
[25]From the Source to the Source, p. 123.<br />
[26] Ibid., p.155.<br />
[27]Transcendence-Perfection, no. 288.<br />
[28] The Garden of Love-Light, part 1, p.28. <br />
[29]Ibid., part 2, p.27.<br />
[30]Europe-Blossoms, p.689.<br />
[31]Ibid., p.307.<br />
[31]Ibid., p.9.<br />
[33] Transcendence-Perfection, no. 711.<br />
[34] The Complete Poems of Emily Dickinson, p.335, no. 674.<br />
[35] One Hundred Poems of Kabir (Madras: Macmillan, 1972), trans.<br />
Rabindranath Tagore assisted by Evelyn Underhill, No.<br />
0,0CXVIII, p.78.<br />
[36]Ibid., Introduction by Evelyn Underhill, p. 14.<br />
[37]Hopkins, "In the Valley of the Elwy," Collected Poems, p.68.<br />
[38]Europe-Blossoms, p.473.<br />
[39]Ibid., p.545.<br />
[40]1bid., p.213.<br />
[41]My Flute, p.89.<br />
[42] Ibid., p.70.<br />
[43] Ibid., p.55.<br />
[44]Ewer, p. 165.<br />
[45] From the Source to the Source, p.271.<br />
[46] Mary Anita Ewer, A Survey of Mystical Symbolism (London:<br />
Society for Promoting Christian Knowledge, 1933), p. 168<br />
and the following quotation.<br />
[47]Supreme, Teach Me How To Surrender, p.80.<br />
[41]IIlumination-Song and Liberation-Dance, part 3, p.25.<br />
[49]Ibid., p.15.<br />
[50]Pole-Star Promise-Light, part 3, p.2.<br />
[51]My Flute, p.56.<br />
[52]Mysticism, P.118.<br />
[53] Introduction to One Hundred Poems of Kabir p.9.<br />
[54] The Garden of Love-Light, part 2, p.21.<br />
[55]From the Source to the Source, p.66<br />
[56] Transcendence-Perfection, no.642.<br />
[57 The Garden of Love-Light, part 1, p.4.<br />
[58]Fr]om "The World," The Faber Book of Religious Verse, p. 175.<br />
[59]From "Auguries of Innocence," The Poems of William Blake, ed<br />
WH. Stevenson (London: Longmans, 1971), p. 585.<br />
[60]Europe-Blossoms, p.43.<br />
[61]My Flute, p.2.<br />
[62] From "0 Light of the Supreme!" ibid., p.25.<br />
[63]Y.B.Yeats, Selected Criticism (London: Pan, 1970), p.22
