Footnotes
[1]George Steiner, Extraterritorial: Papers on Literature and the Language Revolution (London: Faber and Faber, 1972), p.4.
[2]C M.Bowra, Heroic Poetry (New York: St. Martin's Press, 1966) and Brian Vickers, Classical Rhetoric in English Poetry (Edinburgh: Macmillan, 1970).
[3]by Vickers, p.15.
[4]1bid., p.23.
[5]Ibid., p.25.
[6]0p. cit., p.126
[7]Q. by Vickers, p.83
[8] Ibid., p.105.
[9]EIse, Aristotle's Poetics: The Argument (1963). Q. by Vickers, p.95.
[10]My Flute, p.29.
[11]Vickers, p.162.
[12]This definition is adapted from the one in the Princeton Encyclopedia of Poetry and Poetics (Princeton, New Jersey: Princeton University Press, 1972), p.434.
[13] My Flute, p.47.
[14] The Poems of Gerard Manley Hopkins, WH.Gardner and N.H.Mackenzie, eds. (London: Oxford University Press, 1970), p.70.
[15] North's translation. Q. by Vickers, p.83.
[16] Sri Chinmoy has re-formulated, within the context of his own life and from his own depth of experience, expressions that were once the subject of strict coding and classification under both Greek and Sanskrit systems of rhetoric.
[17]Q. by Vickers, p.90.
[18]Emerson, "The Poet," Essays, p.206.
[19]The Singer of Tales (Cambridge, Mass.: Harvard University Press, 1971), p.65.
[20]Bowra, p.234 and following quotation p. 222.
[21]'Europe-Blossoms, p.124. For the remainder of this study of parallelism, page references to poems in Europe-Blossoms will appear in brackets after the text.
[22] George Steiner, After Babel: Aspects of Language and Translation
(London: Oxford University Press, 1975), p. 26
[23] Peter Dixon, Rhetoric (London: Methuen, 1971), p.9.
[24]New York, January 15, 1978. Remarks made at an award evening for spiritual poetry.
[25]Jennifer Uglow, ed., Walter Pater: Essays on Lterature and Art (London: Dent, 1973), p.63.
[26]0p. cit. p.21.
[27] Bowra, p.221.
[28]The "vital," as Sri Chinmoy employs it, represents the seat of man's emotions. Used in a positive way, it is seen as the source of man's dynamic energy, while the unlit vital expresses itself through aggressive energy.
[29]Hugh Kenner, ed., Seventeenth Century Poetry (New York: Holt, Rhinehart &Winston, 1964), p.221.
[30]Q. by Peter Viereck, "Strict Form in Poetry: Would Jacob Wrestle With a Flabby Angel?," Critical Inquiry, 5 (Winter 1978) p.214.
[31]"Old Testament Poetry: The Translatable Structure," PMLV, Vol. 92:5, p.997. This article refers to several of the points established here.
[32]Poetic Closure (Chicago: University of Chicago Press, 1970), p.38.
[33] Bowra, p.231.
[34]"Fantasy and Language in The Cloud of Unknowing," Essays in Criticism, 27 (Oct. 1977): 286.
[35] From the Source to the Source, p.279.
[36]A Glossary of Indian Figures of Speech (The Hague: Mouton, 1971). The following quotation may be found on pages 141-142, but I am indebted also to Gerow's detailed explanations of "upama" (simile) and "rupaka" (metaphor) for an understanding of the development of the compound noun within the Sanskrit language.
[37]From the Source to the Source, p.290.
[38]The Pound Era, p.227.
[39]Ibid., p.290.
[4O]From the Source to the Source, p.267.
[41] The Poetic Image (London: Jonathan Cape, 1958), p. 18.
[42] Essays (London: Dent, 1976), p.215.
[43] Charles Williams in W H Gardner, Gerard Manley Hopkins (1844-1889), Vol. I (London: Oxford University Press, 1969), p.125.
[44]W.H.Gardner, ed., The Poems of Gerard Manley Hopkins (London: Oxford University Press, 1970). "That Nature is a Heraclitean Fire and of the comfort of the Resurrection," p. 105.
[45]Gardner, Gerard Manley Hopkins (1844-1889), p. 118.
[46]From the Source to the Souire, p. 158.
[47]Emerson, p.221.
[48]From the Source to the Source, p.67.
[49]The Goal is Won, p.89.
[50]Gerow, p.71. And the following quotation.
[51]Ibid., p.72. And the following quotation.
[52]The Chinese Written Character as a Medium for Poetry (New York: Arrow Editions, 1936), p.25.
[53] From the Source to the Source, p.334.
[54]The Goal is Won, p.41.
[55]Q. in Brita Lindberg-Seyersted, The Voice of the Poet: Aspects of Style in the Poetry of Emily Dickinson (Cambridge, Mass.: Harvard University Press, 1968), p.18.
